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Spy parodies tend to send-up the slickness of secret agents, the vanity of super villains and other Bond-inspired movie tropes. Keaton reflected toward the end of his life that he "was more proud of that picture than any I ever made." The General might be a comedy, but the way that it pitches an ordinary man into a dangerous political intrigue is pure spy thriller material, and Keaton's commitment to his own wildly dangerous stunts echoes in Tom Cruise's eye-boggling latter-day Mission: Impossible work.
#Good will hunting tv tropes series#
He gives chase in another loco, and a series of increasingly spectacular stunts and set pieces ensues.
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Desperate to sign up for the Confederates during the American Civil War to impress his beloved – yeah, not a tremendous decision – Keaton's train driver Johnnie finds himself spurned when he's turned down for service.īut then his other beloved, the locomotive The General, is stolen by Union spies. The spy just happens to be being played by the most gifted comic actor who ever lived. You've seen the bit where Buster Keaton bonks a railway sleeper out of the way with another railway sleeper watch the whole thing, though, and you'll see it's a proto-spy film. And, in the cricket-mad Charters and Caldicott, it minted the ultimate in doddering comic relief duos. Was she ever there? And if so, who wanted to get rid of her? Espionage, nuns, a whistled musical motif and a train-based shootout ensue.
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Iris and Miss Froy get friendly, but then suddenly she's nowhere to be found. Somewhere in central Europe, a young bride-to-be called Iris takes a plant pot to the head and meets an old lady called Miss Froy and a young, annoying man called Gilbert before jumping on a train. The 39 Steps, Secret Agent and Sabotage are all varying degrees of great – especially the magnificent The 39 Steps, on which more below – and very few films in any genre can top North by Northwest, but none of them are as breezily charming and psychologically twisty as The Lady Vanishes. The last stretch of Alfred Hitchcock's run of British-made films up to 1940 returned again and again to the spy thriller. Photo credit: United Archives - Getty Images Fantômas - À l'ombre de la Guillotine (1913) Here we've collated our favourite spy films of all time, from le Carré-style gritty realism to the outlandish espionage fantasises of Jason Bourne and (of course) James Bond, meaning there is something there for everyone – wherever your allegiances lie.
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They're just a bunch of seedy, squalid bastards like me civil servants playing cowboys and Indians to brighten up their rotten little lives."īased on the book by John le Carré, Leamas is one of the many less-than-glamorous spies that populate the author's work and their adaptations, from an out-dated, out-numbered and out of style Gary Oldman in Tinker, Tailor, Soldier, Spy to a haggard Philip Seymour Hoffman, giving one of his final (and greatest) performances as a German intelligence officer in A Most Wanted Man. In the 1965 film The Spy Who Came In From The Cold, Richard Burton's disgruntled secret intelligence officer Alec Leamas offers a choice appraisal of his profession: "What the hell do you think spies are? Model philosophers measuring everything they do against the word of God or Karl Marx? They're not.